> SMADAR SHEFFI, melancohlya with fish, Ha'aretz, Gallery, September 2005
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Andrea Meislin Gallery / Wanderland #2 , Oct 12 - Nov 22, 2006 This will be the gallery's second exhibition of photographic work by Leora Laor. Following her successful 2004 debut, this new body of work continues her interest in exploring the human condition within modern society. Laor uses photography to transform images into focal situations by her choice of isolation, use of extreme colors and significant enlargement. She succeeds in stressing the frailty of the images while restoring the photograph's fleshy qualities and the longing to recapture the aura missing from its essence. Wanderland #2 includes three main groups of work: lone portraits, couples, and still lifes. In the lone portraits, Laor references 19th and 20th century portraiture, especially the works of Mary Cassatt and Edward Hopper, by accentuating the increasingly deepening isolation process brought on by modern urban society. Moreover, Laor intensifies human alienation by distancing herself from direct contact with her subjects and by turning to theater and dance classes where she seeks, and finds, human fragility. Leora Laor was the recipient of the Leon Constantiner Photography Award for an Israeli Artist in 2005. The Kunstmuseen Krefeld's upcoming group exhibition, Wanderland , is using Laor's title and will feature 25 of her photographs (October 29, 2006 - February 18, 2007). Her work is in private and museum collections worldwide, including The Metropolitan Museum of Art, New York; the Tel Aviv Museum of Art, Israel; and the Gemeentemuseum den Haag, The Netherlands. Download Printable PDF (64 K) http://www.andreameislin.com ............................................................................................................ |
Stephen Daiter Gallery / Image of Light 9 Sept - 29 Oct, 2005
Leora Laor: Image of Light Image of Light is a body of photographs about looking. Using digital images taken in a public park in Jerusalem, Leora Laor connects traditional and contemporary ways of perceiving. By enlarging the pixilated image, she dismantles the photographic picture plane and redefines it as both a new technological creation and as a reinvestment in traditional methods of image-making. The subjects in Laor's work are elusive; figures appear fragile and lost in borderless environments. Our view of these subjects - which are often small in scale and occasionally silhouetted - is on the one hand simply voyeuristic, and on the other strangely omnipotent; we see them but they don't see us. We are the observers studying the movements of the human animal as it works, plays and socializes.
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Leora Laor last exhibited in New York in the early 1980s at Oggi Domani Gallery, Bess Cutler Gallery, and P.S.1 Contemporary Arts Center. After a twenty-year hiatus, she was most recently featured in ParisPhoto 2004 where she was a finalist for the 1st Prix BMW. Laor's work is found in many private and public collections such as The Metropolitan Museum of Art, IBM Corporation, Colgate Palmolive Corporation, Coca-Cola Corporation, and the McDonald Corporation. |
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